BINARY RESONANCE – official trailer
The high level of commitment from the dancers and the exciting choices made in their physical connections is compelling. While building fleeting scenes of familiar human communication, the persistence and unrelenting drive in the choreography reminded me of the brave spirit of people living in war zones. Binary Resonanceleaves one with stirring images and a true purpose of what dance can manifest as an embodied art form.”
Liz King
“Binary Resonance races through the veins and nourishes us with the salt of bodies that evaporates into the air during a fierce, virtuosic dance. It generously shares its kinesthetic fire in exchange for attention, gratitude, and wonder at the human power which, when unleashed, is not necessarily destructive, but capable of intertwining, harmonizing, and shaping a collective whole. If we allow it, it reverberates through our bones, so that we leave the theatre more alive and more awake.”
Tina Valentan
“Binary Resonance captivates through its precise structure and the performers’ remarkable physical precision—vibrating (re)actions in the hypnotic rhythm of micro-(r)evolutions.”
Andreja Kopač
“After the premiere of Mozart’s The Abduction from the Seraglio in 1782, Holy Roman Emperor Joseph II is said to have criticized the singspiel with the now-famous remark that it has too many notes, to which Mozart supposedly replied that there were exactly as many as were necessary. I was reminded of this anecdote, immortalized in Forman’s Amadeus as well, while watching Tomášik’s latest dance work for six dancers, Binary Resonance, which could almost be described as a performance with too many movements—yet there are exactly as many as there need to be.”
Metod Zupan, 22. 6. 2026, Si gledal
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